End of the Line
NUS Stage
10 & 11 March | 7.30 pm | UCC Theatre
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CHONG TZE CHIEN
Artistic Director
The impulse to create a music-centric production stemmed from the members’ dream of mounting a musical. While the end result is not quite the same, music did play an important part in the creation of the final product.
Movement exercises based on the lyrics of existing songs, dance choreography and lip syncing workshops became regular features in our training and devising process. We used contemporary pop songs to generate storylines and jump-points for improvisations. Eventually, a theme and direction emerged from this exploration; the initial list of songs was culled and curated to the ones that reflected the members’ response to a story/plot and characters which were collectively conceived based on ideas generated from the devising phase. Original compositions composed and written by two of our members (with arrangement by music designer Bang Wenfu) were added to the mix when the script was firmed up. The end product was the result of 20 odd minds who met twice every week since August last year, working together for the past 8 months to fulfil a small but ambitious dream. I couldn’t be more appreciative of our creative team from the lights and music departments who have lent their expertise so generously to our endeavour, adding the finishing touches and gloss to our little experiment. The way pop songs capture the zeitgeist of a generation, we hope “End of the Line” also marks and celebrates the views and outlook of life as twenty somethings on the cusp of entering life’s next milestone.
End of the Line is a fantastical jukebox musical by NUS Stage, following Gen Z characters on a train-wreck, fanatically searching for TikToker Wendy’s disappearance. Watch them sing through grief while on an adventure against time into the great unknown.
SYNOPSIS
Wendy, the famous Tiktoker, mysteriously disappears, triggering a fanatical manhunt by a motley crew of Gen Z characters armed with a pocketful of songs about grief & identity, in a twisted train journey to nowhere.
Devised by NUS Stage, written and directed by Chong Tze Chien, with musical arrangements by Bang Wenfu, End of the Line is a madcap jukebox musical filled with thrilling episodes reflecting the trials and triumphs of life through the eyes of Gen Zs.
Join us on this manic adventure told through familiar show tunes refreshed with a new beat about life, loss and surmounting fears of the unknown.
This performance is rated R18 for mature themes and coarse language. Content warning: Mentions of drug use and suicide. Viewer discretion is advised.
Event gallery
Photos by @bentanhankun









ORIGINAL COMPOSITION LIST


1. People Only Like Me When
Lyrics by: Lim Jia Ying
Composed by: Lim Jia Ying, Ng Xin Ci Angel
Arranged by: Bang Wenfu


2. Aubade
Lyrics by: Lim Jia Ying
Composed by: Lim Jia Ying
Arranged by: Bang Wenfu


3. Addiction
Lyrics by: Lim Jia Ying
Composed by: Ng Xin Ci Angel
Arranged by: Bang Wenfu


4. Blame
Lyrics by: Lim Jia Ying
Composed by: Lim Jia Ying
Arranged by: Bang Wenfu


5. Blindspot
Lyrics by: Lim Jia Ying
Composed by: Ng Xin Ci Angel
Arranged by: Bang Wenfu


6. Heaven in Hell
Lyrics by: Lim Jia Ying
Composed by: Ng Xin Ci Angel
Arranged by: Bang Wenfu


7. Fatality
Lyrics by: Lim Jia Ying
Composed by: Lim Jia Ying
Arranged by: Bang Wenfu


8. Broken Mirrors
Lyrics by: Lim Jia Ying
Composed by: Lim Jia Ying, Ng Xin Ci Angel
Arranged by: Bang Wenfu


9. 20
Lyrics by: Lim Jia Ying
Composed by: Ng Xin Ci Angel
Arranged by: Bang Wenfu


10. Survival
Lyrics by: Lim Jia Ying
Composed by: Lim Jia Ying
Arranged by: Bang Wenfu


11. Welcome to The End of The Line
Lyrics by: Lim Jia Ying
Composed by: Ng Xin Ci Angel
Arranged by: Bang Wenfu
CREATIVE TEAM


Chong Tze Chien
Artistic Director


Bang Wenfu
Music Director


Faith Liu Yong Huay
Lighting Designer
production CREW


Evelyn Chia
Production Manager


Lim Kai Ling
Stage Manager


Yap Dian Xiu
Assistant Stage Manager


Koh Tzee Yen
Assistant Stage Manager


Elim Lew
Audio Supervisor

Daniel Chai
Voice Recording Engineer


Natalie Ng Xin Yi
Sound Technician
Cast


Lim Jia Ying
Wendy 1


Hannah Rose Lee
Wendy 2


Jayden Kang Wen Ying
Samuel


Evangel Wong
Jeanette


Ashie Singh
Shivani


Kwang Hao Yang
Samuel's Father


Leoson Lee
Wendy's Father


Ng Xin Ci Angel
Wendy's Mother


Dora Freitas
Sharon


Lian Kah Seng
Policeman 1/Knock Knock


Kevin Tay
Policeman 2/Shitty Husband


Shrinidhi Om Prakash
Shivani’s Mother


Donna Tan
Elon Musk


Lew Yi Wei
Donald Trump/Hokkien Mee Slut


Jadon Ng Cheng Jie
Mark Zuckerberg/ Oxford Guy


Au Ying Keet, Bryan
Professor


Joshua Gareth Seow
Gender Bender 1


Nur Aliya Bte Mohd Wari
Gender Bender 2


Chong Shen Hao
Tiktokers
NUS Stage
Founded previously as Varsity Drama in 2006, and later renamed in 2008, NUS Stage has long been dedicated to the nurturing of talents on stage who aspire to tell the untold stories of our generation and who keenly explore the underlying social issues through thought-provoking tales of human drama. The group is strongly committed to training actors, nurturing playwrights and grooming production teams who push creative boundaries and produce high quality, artistic content that engages its audiences.
Recent productions include Blackout directed by Chong Tze Chien for the NUS Arts Festival 2022, Shook directed by Sean Tobin for the NUS Arts Festival 2021, Complicité’s A Disappearing Number, for NUS Arts Festival 2019, The Golden Record for NUS Arts Festival 2017: Brave New Worlds, which commemorated the 40th anniversary of the historical launch of the Voyager 1 space probe and The Golden Record 2.0, directed and written by Edith Podesta together with journalist Corrie Tan.
EXECUTIVE COMMITTEE 22/23


Ashie Singh
President, Welfare Head


Lim Jia Ying
Vice President, Secretary


Angel Ng Xi Ci
Logistics Head, Treasurer


Kevin Tay
Logistics Head, Treasurer


Lian Kah Seng
Publicity, Marketing Head
OTHER CREDITS
Group Manager:
Tan E-Ching Jobina
Supporting Group Manager:
River Chua