10–26 March 2023 // National University of Singapore

Pengabdian Batin

NUS Ilsa Tari feat. NUS Dikir Barat
15 & 16 March | 8pm | UCC Theatre
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DIRECTOR’S MESSAGE

Osman Abdul Hamid

Artistic Director

Pengabdian Batin(Malay for Inner Enslavement) is a contemporary Malay Dance production by NUS Ilsa Tari, featuring NUS Dikir Barat, that seeks to explore the experiences of survivors of Intimate Partner Violence amongst the Malay/Muslim community.

SYNOPSIS

Pengabdian Batin (Inner Enslavement), featuring NUS Dikir Barat, is presented by NUS Ilsa Tari as the latest iteration of our annual dance production as part of the NUS Arts Festival 2023. Revolving specifically around the trope of Intimate Partner Violence (IPV) involving heterosexual structures within the local Malay/Muslim community, the show is an attempt at crafting a factually accurate and informed narrative on the issue that remains comprehensible. 

We have sought to achieve this by referring to existing literature and consulting relevant experts in the field. A novel fusion of contemporary Malay Dance and Dikir Barat acts as the medium of storytelling to provide a resonating and moving experience. It is our sincere hope that audiences will leave our show with a heightened sense of awareness of the issue as well as a greater consciousness inclined towards enacting positive change in their own capacities.

synopsis in parts

CREATIVE TEAM

dancers

NUS ILSA tari

Originally known as NUS Malay Dance Group under the direction of its founding tutor Mr Abdul Rahman Mawari, the group had their first performance at the NUS Welcome Convention in July 1986 at the NUS Forum. In May 1995, NUS Malay Dance Group was renamed NUS Ilsa Tari by its current Artistic Director and Resident Choreographer Osman Abdul Hamid.

 

The word ‘Ilsa’ is derived from the Malay word ‘Asli’ to mean native, which signifies a bold new artistic direction for radical creativity in Malay Dance while acknowledging the importance of the past. Establishing strong foundations in traditional Malay Dance forms such as Zapin, Ronggeng, Inang and Serampang 12, together with the traditional Malay martial art of Silat, NUS Ilsa Tari experiments with both traditional and contemporary Malay Dance to push the boundaries of creativity and modernity. Today, NUS Ilsa Tari plays an important part in the evolution of Malay Dance forms relevant to our times by practice, discourse, performance and engagement with the next generation of artists.

EXECUTIVE COMMITTEE 22/23

CREDITS

Artistic Director: Osman Abdul Hamid
 

Group Manager: Liyana Asyiqin

10–26 March 2023 // National University of Singapore