As President of NUS Fingerstyle Guitar, Ivan propelled the arts group to another level by promoting inclusivity and enhancing the value of each practice session. Under his leadership, he motivated members by offering guidance on guitar and song-related issues. On a community front, Ivan composed an original song based on text by a Foreign Domestic Worker, for the CFA Build-a-Bridge event. This showcased his talent and dedication in fostering a supportive community within NUS Fingerstyle Guitar.

Kai Ling is a proud member of two NUS Arts Groups – NUS Arts Production Crew (NAPC) and NUS Stage, and a passionate advocate for the arts in the NUS community.
 
As an active member of both arts groups, Kai Ling displays the rare talent of excelling both onstage and backstage – she acts, writes, directs, and stage manages.
 
Kai Ling showcased extraordinary leadership as President of NAPC in AY23/24 by leading with care, an inspiring vision and unwavering dedication. This year, Kai Ling has also stepped up as Vice-President of the Cultural Activities Club, continuing her commitment to shaping the arts on campus.

Leading with exceptional talent, vision and creativity, Violet Yang made significant contributions to the NUS arts community. As President of NUS Electronic Music Lab (EML), she led the group in executing seven major projects, from workshops in NUS to performances at Singapore Art Week. An advocate for collaboration and experimentation, Violet has pushed EML to new artistic ventures previously unexplored. 

Harnessing her musical talents and care for causes beyond art-making itself, Violet also initiated a project supporting the queer community in NUS - Harmonic Spectrum - in collaboration with other NUS student artists.

Beyond NUS, Violet performs and produces music as vylt, with songs surpassing 200,000 streams on Spotify.

Bold and dynamic, Blast! Out Of Bounds 2023: Apa? by NUS Dance Blast! explored the intricacies of the creative process through movement. A unique blend of various dance styles underpinned by a compelling narrative, the production highlighted the performers’ versatility, adaptability, and expressiveness. Apa? also served as a reaffirmation of community as it brought together several generations of Blast! dancers and alumni in the spirit of learning and creation.

NUS Arts Production Crew (NAPC)’s annual showcase was taken to new heights with Bring It Back To Live: Bricolage. Organised, produced and run entirely by NAPC, a 26-man team was involved in delivering every aspect of the production including lighting design, set design, sound engineering, stage management, production management, artist liaison and publicity. Working in collaboration with musicians from NUS as well as Viva LatiNUS, NAPC showcased a diverse line-up and proved that people working backstage can exercise creativity and passion as much as performers shining on stage. With impressive lighting design and sound mixing, this event also showcased the crew's ability to innovate and set new benchmarks for excellence in backstage management.

Desi Lah!: The Rhythm of Home by NUS Indian Instrumental Ensemble featured different songs from 6 different Indian states accompanied by perfect sound quality, dynamic lighting, and synchronised visual multimedia depicting scenes from each Indian state, enriching the audience’s sensory experience. Extensive marketing efforts were made to reach out to over 30 institutions working with migrant workers, which successfully translated to 131 migrant workers attending the show. The ensemble collaborated with organisations such as the High Commission of India and National Geographic to include state videos. Audiences praised the show as a joyous evening with festive, familiar, and meaningful music.

The NUS Arts Production Crew (NAPC), formerly known as the EMCC Crew, worked on 29 total productions in the past AY, from university-level events, to independent arts productions, and their own self-produced Bring It Back To Live concert.
 
Trained in backstage roles like lighting, sound, stage management and production management, NAPC has lent their support to a wide variety of student organisations beyond the arts, including sports clubs, faculty clubs, and NUSSU.
 
Thanks to the group’s rigorous training plan and enriching opportunities, students who started as beginners have gained skills and knowledge to begin working actively in the arts scene, earning high praise from industry professionals.

NUS Indian Instrumental Ensemble significantly increased their membership by embracing new instruments typically not found in such settings. They enhanced the artistic proficiency and professionalism of the ensemble through their activities. Members displayed exceptional dedication and perfecting their skills by participating in prestigious performances like Esplanade's Swar Pravaaham and Vasantham Channel's Varnangal.

Their annual showcase, Desi Lah!: The Rhythm of Home, is dedicated to migrant workers, highlighting inclusivity and community engagement beyond typical engagement. These efforts fostered a strong sense of community, improved musical skills, and made traditional Indian music more accessible and meaningful to a wider audience. 

Pentas Budaya 2024: PELITA by NUS Malay Language Society focused on the social phenomenon of child fostering, partnering with local theatre group Teater Ekamatra. They engaged in community dialogue and received professional guidance to enrich their storytelling. The set design by four NUS students featured a 90s look with batik elements. Director Chariska Anugrah used tableaux scenes to depict characters' facades and true feelings, while sound director Farah Salim incorporated live Oud music, resulting in a cohesive and impactful production.

the Lantern, designed by Pun Tsz Kiu, transformed 5,500 unwanted bottles into a pavilion facade, a reminder of Singaporeans' disposal rate of bottles every 7 minutes. This innovative design rethought the integration of recycled materials into building design, creating new encounters and connections. the Lantern served as a sobering embodiment of environmental harm and a symbol of renewal. It called for bold, innovative design approaches to shape a more sustainable future, showcasing creativity, achievement, and collaboration.

The Theme of Desi Lah!, composed by the NUS Indian Instrumental Ensemble, was inspired by All India Radio and Doordarshan Radio music, blending Indian Classical, contemporary, and folk music creating an engaging tune for all audiences.
 
Created in one hour, it showcased advanced techniques and intricate arrangements. The ensemble innovatively incorporated pre-recorded versions to enhance transitions between states. This project exemplified creativity, collaboration, and cultural engagement, leaving a lasting impact on performers and audiences while fostering a sense of belonging and appreciation among diverse communities.

AVANI
NUS Indian Dance

omniVerse: The Lovers
NUS Electronic Music Lab

Pentas Budaya 2024: PELITA
Persatuan Bahasa Melayu Universiti Kebangsaan Singapura (NUS Malay Language Society)

Sangae Muzhangu 2023
NUS Tamil Language Society

The Village
King Edward VII Hall Chinese Drama 

Those Who Can't, Teach
King Edward VII Hall Hallplay

Clown Behaviour
NUS Stage

curry
Tan Jun Lin
NUS Electronic Music Lab

Dinner Party
NUS Stage

First Class Horrors
NUS Amplified

re:flection
King Edward VII Hall Dance

KO: Keep On
NUS Stage

Necessarily a Part
Chan Chee Meng
NUS Dance Synergy

Stuck
NUS Amplified

Lee Hong Shen Elton
Yong Siew Toh Conservatory of Music

Pandi Preshita
NUS Indian Dance

Zhao Yushan
NUS Piano Ensemble