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☉ Level 5, Quiet reading area
Legacies of Encounters unfolds in this section through the rich stories behind our collections of Nusantara boats and Southeast Asian ceramics, among others. These artefacts serve as testaments to the region’s vibrant history of cultural exchange, from the maritime routes that connected communities to the craftsmanship of ceramics that reflect both local traditions and broader regional influences. Together, they offer a deeper understanding of the interconnected legacies that have shaped Southeast Asia’s material and cultural landscape.
Be awed by boat models, commissioned by Eric Alfred in the 1970s and 80s, which reflect the actual vessels used by maritime communities across Southeast Asia. Crafted by boat makers from Singapore’s Southern Islands, these replicas offer a valuable
record of the diverse boat typologies developed by archipelagic cultures. The models are thought to be based on photographs by Gibson-Hill and were commissioned by the former Singapore Maritime Museum and Baharuddin Vocational Institute.
Adding depth to the theme of maritime connections is a 19th century Bugis-Makassar manuscript from the NUS Libraries’ Special Collections. This historical text highlights the trade relationships between Bugis-Makassar and Singapore,
alongside other maritime Southeast Asian resources, including Gene Ammarell’s ethnographic study Bugis Navigation.
Complementing the maritime narrative are Lim Mu Hue’s woodblock prints, which offer a vivid glimpse into
vanishing landscapes. His depictions of Bukit Timah Mining Field and the Botanic Gardens serve as visual archives, contrasting Singapore’s past with its present. The prints capture the region’s changing identity, from the mining-driven
terrain of Bukit Timah to the evolving face of the Botanic Gardens.
Phipps, John.
A practical treatise on the China and eastern trade: comprising the commerce of Great Britain and India, particularly Bengal and Singapore, with China and the eastern islands ... with directions, and numerous statements and tables, adapted to the use of merchants, commanders, pursers, and others connected with the trade of China and India.
Calcutta : Baptist Mission Press, 1835
View a curated selection from the NUS Museum’s Malcolm MacDonald Collection highlights the theme of cultural exchange through Southeast Asian ceramics. Unlike the more commonly recognized ceramics from China and East Asia, these pieces showcase
the distinct ceramic traditions of Southeast Asia, reflecting both functional craftsmanship and aesthetic exchanges that shaped the region’s artistic identity. Accompanying the display are books and catalogues on the history of Southeast Asian
ceramics and the communities involved in their creation and trade, including the notable text Southeast Asian Ceramics: New Light on Old Pottery.
Malcolm John MacDonald, former Governor General of British territories in Southeast
Asia (1946–1948), significantly contributed to this collection. After serving as Chancellor of the University of Malaya, MacDonald donated part of his private collection to its Art Museum in 1961. Upon Singapore’s separation from Malaysia,
the collection was divided between UM and NUS, with the remaining pieces forming the Malcolm MacDonald Collection at NUS Museum. Beyond ceramics, the collection also includes Chinese ink paintings, Indian sculptures, and contemporary Malayan art.
In contrast, the coral red 'in-and-out' kamcheng featured here is part of the Alice & Peter Tan Collection, which includes 435 Straits Chinese ceramics. These pieces were commissioned by the Straits Chinese in the late 19th to early 20th century and produced in Jingdezhen, China, reflecting the distinct cultural identity of the Straits Settlements.